Friday, October 26, 2012

Addition to Oct. 25 Homework

Chapter 9:

1.) Describe three ways to define pattern in art or theory.
Pattern can be described through a texture in the process of knitting.
Pattern can be described through shapes
Pattern can be described through a use of value with the use of grayscale.

2.) How can a grid help to define a pattern?
A grid can have a focal point and in the outer area is a pattern narrowing in on the focal point. Also, it distributes equal weight on both sides throughout the grid.

3.) Describe the similarities and differences in pattern and texture.
Pattern and texture both carries a sense of unity. It also can display a motif throughout the work of art. They can become different in terms of texture describing the quality of objects and pattern being a repetition of the same design.

4.) How can texture be used to create visual interest?
Texture can be used to create visual interest because when an artist seeks to use different shades of gray by referring to the grayscale, it makes the artwork pop instead of looking dull. This texture can only be felt through the viewer’s visual sense.

5.) What is the difference between actual and implied texture.
Actual texture is the use of real objects while implied texture is a copy of the objects texture through the use of imprints.

6.) How do you define a collage?
A collage is described as putting a group of little pictures together, color cut outs, or fabrics incorporated into one big concept.

7.) What is tromp L'oile (French term: to fool the eye).
When the artist uses certain techniques to suggest to the viewer that what they see is actually there.

Chapter 10:

1.) Define Value and Value scale.
Value and value scale go hand and hand. Value is described as the use of light and dark textures.

2.) What is achromatic gray?
Achromatic is a mixture of only black and white.

3.) What is a value contrast?
Value contrast refers to the relationship of light and dark.

4.) How do you create balance in a composition with value?
Creating balance in a composition when value is concerned is simply easy. As long as there's an equal amount of weight (black and white, or shades of gray) distributed on each side then the artist will have an equal balance.

5.) How do you create emphasis with value, give an example.
Creating emphasis with value can be displayed by either focusing on dark or light value or you could go the route of showing a transition from light and dark by using the grayscale. For an example, when creating a collage of only grayscale images, the artist may want to focus on the emphasis of dark value by placing where the viewer's eye may roam.

6.) What is chiaroscuro? What period in art history was the word originally used?
Chiaroscuro is an artistic device of using light and dark to imply depth a volume in all aspects of art.

7.) What is aerial or atmospheric perspective? Give and example.
As the distance increases from the artwork, the painting or drawing becomes grayer.

Reprodcution of Artwork


This is such a cool lamp. Why can't I go into a store and purchase something as cool as this :(
This lamp automatically caught my attention becasue not only does it relate to the reading but its a really awesome work of art don't you think? This piece doesn't have an ounce of trompe o'eil because it doesn't fool the viewer's eye. What you see is what you get. However, the viewer can depict the texture thats implied within the lamp given the woven leather feel. Given that there is texture, there is also tactile texture because the viewer can feel the texture of the lamp which perhaps suggest a smooth feel while depicting a sort of western look. Its evident that there is a pattern becasue the hatching of the woven leather wraps around in a circlular motion providing pattern and unity.

10/26/2012 Quote of the day!!!!

"The moment you understand a work of art, it’s dead for you"

This quote is similar to the Dorothy Allison story I read in English. For those who have read the story tilted "This Is Our World", then you would understand why it relates to the quote above. As Dorothy Allison would say, art is supposed to leave the viewer wanting more and have them pondering a load of questions. I believe that’s what keeps the piece exciting. The fact that art is ambiguous and abstract allows the viewer to conclude whatever story is being told from their perspective. Art doesn’t necessarily have to have a clear message, and when it does you loose a little bit of the excitement.

Tuesday, October 23, 2012

Visual Reserach or Collage


Ok, so because we're working on different elements such as texture I wanted to branch out and research a variety of texture.  For some reason I love the look of rough crumpled texture. Its so mysterious. Here's what I found as visual research for my concept board:



Enlarged Faces! : )





This is something that I found on designboom.com and I thought it wold be something that you guys would  enjoy. When I first found it, I thought to myself this is super cool to have you face blown up on a side of a building for people to see. Take a look and tell me what you think! 


'kopf kino' is an amplification object left in public spaces to be negotiated and appropriated by city dwellers. Developed by berlin-based artist collective 'on/off, the device itself is constructed from a modified shopping cart filled with borrowed car batteries, a projector and computer held in place with cable ties, all of these internal components masked by a monolithic cardboard skin.

devised as something to be wheeled around a city, the installation is left without any instruction in various locations, inviting passersby to investigate the inner workings and actual function of 'kopf kino'. the element that sparks some curiosity is the small camera lens which projects out of the top of the machine, in which people gravitate towards, looking in to see if they are able to find some kind of indication of what it actually does. as they interact with it, they realize that their actions are being amplified 10x,enlarged onto the façades of surrounding buildings, turning 'kopf kino' into a kind of 'adhoc' stage, allowing groups to temporarily take over public space, transforming them into urban performers without the restrictions of prescribed interactions.

Quote of the day 10/23/2012

Hey guy's!!! So for today I found two quotes that really spoke to me. Check them out and see what you think. : )

"There's no retirement for an artist, it's your way of living so there's no end to it."- Bono

This quote is one to remember for the years to come as an interior designer.  I believe that no matter what, as an artist, our job is never one. We work, work, and work until we reach perfection.

"When I work, I work very fast, but preparing to work can take any length of time." Franco Goya

This is something I agree with because its something I would say. Like it takes me super long to get my ideas together but when I get into the flow of things, I work non stop.



Tuesday, October 16, 2012

Fire and Water Panel Process

My Process of doing the Fire and Water Panel

Ok, so this is the start of my sketch for the fire and water panel. A lot more work needs to be done.
Ok, so I'm making progress. I'm pleased with these overall sketch and now I'm ready to color in.  
So far so good. I began to color in the lions fur and draw lines on certain areas of the rocks. I think it looks pretty cool right now.
I'm all done. I love what I came up with!
Critique Time! I think everything went good. I'm pleased with the work I've done. First critique and many more to come!

Saturday, September 29, 2012

Nov. 8 H.W.

Lauren Wesley
Foundation Design I
Design Basics: Chapter 4 Scale/ Proportion
Introduction:
Ø  Proportion- refers to relative size, size measured against other elements or against some mental norm or standard.
o   Connotation- Proportion can best be described as a measurement of elements put together to produce a “fit” art piece.
o   Example: Richard Roth. Untitled. (1983). The small stool and the clues provide a scale reference for judging the size of the sphere.

Ø  Montage- Art work created from small pieces; a picture or other work  of art composed by assembling, overlapping, and overlapping many different materials or pieces collected from different sources, such as photographs, magazines, and other pictures.
o   Connotation- Montage is in comparison to a collage. Its grouping and overlapping artwork, pictures, and others things into a big layout.

Ø  Hieratic scaling- when the artist establishes not only an obvious focal point but indicated the relative conceptual status of the ruler and his subjects.
o   Connotation- Hieratic scaling is the process that the artist undergoes when laying out a focal point.
Scale of art
Human Scale Reference
Ø  One way to think of artistic scale is to consider the work itself- its size in relation to other art, in relation to its surroundings, or in relation to its human size.
Scale of Art
Context
Ø  Earthworks are unique in the grandeur of scale.
Scale within art
Internal Proportions
Ø  The second way to discuss artistic scale is to consider the size and scale of elements within the design or pattern. The scale here, of course, is relative to the overall areas of the format- a big element in one painting might be small in a larger work. Again, we often use the term “proportion” to describe the size relationships between various parts of a unit. To say an element in a composition is “out of proportion” carries a negative feeling and it is true that such a visual effect is often startling or unsettling. However, it is possible that this reaction is precisely what some artist desire.
Scale within Art
Contrast of Scale
Ø  Scale can attract our attention in different ways, depending on the artist’s purpose. Scale can be used to draw our notice to the unexpected or exaggerated, as when small objects are magnified or large ones reduced.
o   Example: Mark Fennessey. Insects IV. (1965-66). This wash drawing is startling, now seen enlarged to page-filling size. Just the extreme change in scale attracts our attention.
Scale Confusion
Ø  Surrealism- is an art form based on paradox, on images that cannot be explained in rational terms.
o   Connotation- Surrealism can be described as art form that can’t be described in regular terms.

o   Example: Rene Magritte. Personal Values. (1952). This painting shows one such enigma, with much of the mystery stemming from confusion of scale. We identify the various elements easily enough, but they are all the wrong size and strange in portion to each other.
Proportion
Notions of the Ideal
Ø  Golden rectangle- has influence art and design throughout the succeeding centuries. The fact that this proportion is found in growth patterns in nature and lends itself to a modular repetition has given it some authority in the history of design.

Ø  Golden Mean- is width is to length as length is to length plus width (w:l as l:l + w)
o   Connotation- Golden mean is width to length and vice versa.

Reproduction of Artwork


Who designed it?: Gustave Moreau
How was it designed?:
When was it designed/publicly announced?: French, 1826-1898
Fun Facts: Moreau, a virtually unknown artist at the age of thirty-eight, triumphed at the Salon of 1864 with his interpretation of the myth of Oedipus and the Sphinx. The painting represents the moment when Oedipus confronts the winged monster outside Thebes and must solve her riddle to save his life as well as those besieged Thebans.
The work shows Moreau’s awareness of Ingres’s version of the subject (Musee du Louvre, Paris), painted in 1808, which Moreau had sketched. It also demonstrates his familiarity with works by the early Renaissance painter Andrea Mantegna, whose paintings Moreau had studied at the Louvre. Moreau’s choice of a mythological subject and his deliberately archaizing style distinguished his painting from the Realist and naturalist currents of the 1860s.
This painting is really interesting. While at the Met in N.Y. I discovered this! This painting has a since of surrealism because it can’t be described in regular terms. The proportion of the two figures within the painting are positioned just right to attract the viewer’s eye. I believe that the artist chose to use hieratic scaling to present a main focal point which would most likely be the woman’s lower part of body. The viewer’s eye is drawn to that particular point because it stands out more than the other things in the painting.